FORMER GLEE STAR ADMITS FILMING GLEE TOOK ITS TOLL AFTER SIX YEARS ON THE SHOW
TV heartthrob Matthew Morrison has fond memories off filming hit musical TV show Glee – but reveals he’s glad it’s now come to an end.
The actor starred as Will Schuester from 2009 to 2015 but with success comes extra demands and consequently long hours.
He said: “We worked tirelessly. It was 16 hour days minimum. We did dance rehearsals, recorded the show, filmed it and did press alongside that so it was long, long hours.
“It was a great show. I really feel I was their teacher. A lot of the kids hadn’t done anything like that before and I’d done Broadway shows so in many ways I really was their teacher.”
ON DANCING AS A BOY GROWING UP
I found my passion at a young age. There were moments of insecurities but I was pretty athletic so I got away with it.
ON HIS WIFE
She is stunning, she is from Hawaii so we got married there. Eventually when we have kids they will have Hawaiian names. We want to follow that tradition. At our wedding she did a dance. It’s a tradition a woman ‘leis’ her man!
ON SEX SCENES
I have the most supportive wife. She tells me if I have a sex scene or kissing she she wants me to really go for it. She wants it to go right. They’re the weirdest things to film.
I had a sex scene with Cara Delevingne in a film recently. It’s always strange. Very choreographed, there’s a bunch of people watching and you’re naked.
ON HIS UPCOMING NEW LONDON SHOW
It’s three shows. I tell stories of my life. I’m so used to playing characters but this is a chance for the audience to really see Matthew Morrison. I go through a career retrospective of some shows I’ve been in from Glee to Hairspray.
Matthew Morrison, the Emmy, Tony and Golden Globe Award-nominated star from Fox TV’s hit television series “Glee,” will perform at Musikfest Cafe at ArtsQuest Center at SteelStacks in Bethlehem, it was just announced.
Morrison will perform at 8 p.m. Sept. 7.
Tickets, at $44-$54 for Morrison, go on sale at 10 a.m. May 16 to ArtsQuest members and 10 a.m. May 19 to the public at www.steelstacks.org and 610-332-3378.
TV and stage actor Matthew Morrison will headline the September 9 benefit gala for the Westport Country Playhouse in Connecticut.
The event will raise money for the classic summer stock theatre where Stephen Sondheim once worked as a summer volunteer, which is getting set to launch its 87th season.
Morrison, who earned a Tony Award nomination for his performance in The Light in the Piazza, has also appeared in the 2008 revival of South Pacific and as Peter Pan author J.M. Barrie in the musical Finding Neverland. But he is even more widely known for his performance as Mr. Schuester, director of a high school glee club, in the FOX musical comedy series Glee, which earned him an Emmy nomination and two Golden Globe nominations,
The gala’s theme, “Moonlight Over Venice,” is a nod to the Playhouse’s planned autumn production of Romeo and Juliet. The gala will begin with a 5:45 PM cocktail party cocktail party, followed by the 7 PM presentation of the Playhouse Leadership Award to longtime trustee Ann Sheffer, and the 7:15 PM performance by Morrison. Dinner will be served at 8:30 PM. A silent auction will be ongoing throughout the evening.
The Honorary Gala Committee includes Maureen Anderman, Frank Converse, Mia Dillon, Keir Dullea, Jill Eikenberry, Daniel Gerroll, Joanna Gleason, James Earl Jones, Patricia Kalember, James Naughton, Kelli O’Hara, Christopher and Elaine Plummer, Chris Sarandon, and Michael Tucker.
Tickets, at $1,000 and $2,500, can be ordered by calling the box office at (203) 571-1138, or by emailing firstname.lastname@example.org.
It’s official: Everyone is a fan of The Bachelor and Bachelorette. Matthew Morrison spoofs the hit ABC franchise in his latest film After the Reality, and Us Weekly has a sneak peek. Watch the video above!
In the film, Morrison plays a contestant named Scottie who is vying for the heart of the Bachelorette, played by Laura Bell Bundy. After Scottie’s dad dies, he quits the competition and is reunited with his sister, played by Sarah Chalke.
“When I was in Hairspray on Broadway, Trista and Ryan Sutter visited the production. It was right after their final episode aired, and they just seemed so down to earth, an incredible couple,” he recalled. “That was when, I assume, the show was fresh and truly about finding a connection with someone. But I think most people who go on these shows have to be a little lost and in search of some fulfillment. That’s the attitude and naïveté I brought into the character of Scottie.”
A Glee-ful time was had on the set of the new drama, After the Reality, when Matthew Morrison reunited with his old McKinley High nemesis, Jane Lynch. Fortunately, this time around, the erstwhile Will Schuester and Sue Sylvester are friends, rather than foes. Lynch appears in a small cameo as a doctor who tends to an injury that Morrison’s character Scottie received during his time on a Bachelorette-esque reality series. He’s also recovering from wounds of an emotional sort: His father passed away while he was pursuing true televised love, necessitating his early exit from the show. (Watch an exclusive clip of this Glee reunion above.)
“It was a little odd doing a scene with Jane, and not trying to rip each other’s hair out,” Morrison tells Yahoo Movies via e-mail about his and Lynch’s onscreen dynamic in After the Reality, which will be released on iTunes and other VOD platforms on April 25. “But the chemistry with her always holds up.” According to Reality writer-director David Anderson, Lynch wasn’t his first choice to play the doctor. “It was originally written for a tottering woodsman of a Norman Rockwell painting,” Anderson writes via e-mail. Instead, his leading man, who doubles as the film’s executive producer, personally orchestrated the Glee reunion.
“Jane and Matthew have a chemistry that’s sweetly sibling,” the filmmaker adds. “I told them to not worry about the lines, they know what we need to communicate and we just let the camera roll.” And Lynch — no stranger to riffing thanks to her regular collaborations with Christopher Guest — took the director’s instructions to heart, improvising with Morrison like they used to do back in their Glee days. “What was left on the editing floor was such a shame,” Anderson writes.
Oozing charm, exuding confidence and with a sense of effortless style, Broadway’s song-and-dance man Matthew Morrison makes his Music City debut in a three-night stand at Schermerhorn Symphony Center, backed by the Grammy Award-winning musicians of the Nashville Symphony under the baton of conductor Steven Jarvi.
Morrison’s performance covers a number of songs made famous by him on Broadway – and in other genres by other entertainers – with each tune segueing nicely from one to another with requisite polish and the thoroughly accessible personality that allows him to gain entre into the collective audience of his attentive audience. Handsome and easy-going, Morrison’s matinee idol good looks might be disarming, but it’s his obvious talents that is sure to win over more adoring fans to his camp.
Morrison, whose laudable and noteworthy Broadway tenure includes Hairspray, The Light in the Piazza, South Pacific and, most recently, Finding Neverland draws on his wealth of stage experience to delight his Nashville audiences, while never letting them even for the briefest moment forget that he starred in TV’s Glee, the Ryan Murphy juggernaut that made high school showchoirs and mashups of popular songs part of the pop culture zeitgeist of the 21st century.
Bounding onto the stage in the best manner of nightclub performers and concert artists who’ve claimed the Great American Songbook as their inspiration, Morrison delivers a 90-minute show that’s energetic and entertaining, filled with reminiscences of his life and career and featuring some of the best-known tunes to be found in the catalog of 20th century pop, jazz and Broadway classics. Opening with “It Don’t Mean a Thing (If It Ain’t Got That Swing)” and closing with an extended set of songs from his first Broadway hit Hairspray (he was the show’s original Link Larkin on the Great White Way) – and with a plethora of tunes, most beloved and familiar, in between (including a swell version of Rodgers and Hart’s “The Lady is a Tramp” that I could listen to on a loop from now to doom’s day and never regret it for a second), Morrison shows off the talents that have set him apart among male performers of his generation and background.
Telling us in an interview prior to his Nashville stand, Morrison admitted he may have been born in the wrong era, so strongly does he identify with the musical standards that have drawn a wide range of song stylists to them over the years. Onstage, he approaches the material with an easy grace and effortless charm that helps these familiar tunes sound fresh, if not completely new, ushering his audience into their own reverie of memories in a way that only the best melodies can do.
Each song in Morrison’s repertoire seems personally curated to represent times in his life that resonate beautifully both for performer and audience: “Singin’ in the Rain” allows him to pay homage to his personal idol Gene Kelly; “You’ve Got to Be Carefully Taught” and “Some Enchanted Evening” recall his stint in the Tony Award-winning Broadway revival (but where was “Younger Than Springtime,” I wonder, particularly since his character – Lt. Joe Cable – performs it in the context of the show); and his jazz-influenced “On the Street Where You Live” harkens back to “every audition I’ve ever done since high school.”
Perhaps the most heartfelt performance comes during his rendition of “As Long As She Needs Me” from Oliver! that is beautifully expressive and sweetly evocative with being at all cloying or expected. Yet, easily, Morrison is most impressive (ensuring every eye is riveted upon him as he sings) with Adam Guettel‘s exquisite “Il Mondo Era Vuoto” from The Light in the Piazza, which the singer/actor maintains to this day — whether in his onstage patter or in a private conversation — is his most challenging role to date.
Joined onstage by a ten-member ensemble of student singers from Summit High School, Morrison pays tribute both to his time on Glee and his first record album to perform a pair of songs by Sir Elton John: a mashup of “Mona Lisa,” “Mad Hatters” and “Rocket Man” that exemplifies John’s vast catalog of songs, just as easily as it showcases Morrison’s vocal stylings.
Jarvi and the Nashville Symphony open the performance with a medley of songs from West Side Story, which sound as lush and as beautiful as ever and start the evening off with the appropriate sense of theatrical fare. But what’s with the white dinner jackets? According to my calendar, at least, Easter is still more than a week away!
The Orchard has acquired North American rights to After The Reality, an indie film starring Matthew Morrison and Sarah Chalke that marks David Anderson’s feature directorial debut. An April 25 digital and on-demand bow is planned for the pic which opened the 2016 Newport Beach Film Festival. Morrison stars as a contestant on a Bachelorette-style reality show whose life is thrown into turmoil after the sudden death of his father, forcing him to quit the series and reconnect with his estranged sister (Chalke). Laura Bell Bundy, Juan Pablo Di Pace, John Heard and Jane Lynch co-star. John Hermann, Alex Koehne and David Anderson produce under the USofAnderson Production Company. Film Mode is repping foreign rights at the upcoming Cannes Film Festival market.