It has been almost 10 years since Glee first graced our televisions, and Matthew Morrison — a.k.a. Mr. Schuester — is looking back on the Fox series that shot him to stardom.

Morrison, 40, played Glee club director Will Schuester from the series premiere in 2009 until its curtain call in 2015. While the show delivered iconic musical performances and beloved characters, it faced real-life tragedy over the course of its run and beyond.

“I have very fond memories of the show, I like looking back on [it],” the actor tells PEOPLE at TUSHY’s Funeral for a Tree in NYC on Thursday. “It was a hard show with the filming schedule and the tragedies and all that stuff.” […]

Despite the hardships the cast faced, Morrison says he still gets positive feedback about the show.

“Having people come up to me all the time and saying how much it affected their lives, so many real-life moments that had tangible effects on people’s lives — for me that was the biggest reward from the show,” he says.

That said, Morrison admits he wouldn’t rejoin the Glee world for a TV remake, but a concert could be a different story.

“I feel like it had its moment right at the right time, and now it’s on Netflix so a whole new generation is starting to watch it,” he explains. “I would totally be interested in doing a reunion concert, where we can do this awesome night for some great foundation.”

The actor — along with raising 16-month-old son Revel — is dedicated towards environmental efforts. On Thursday, he hosted Funeral For a Tree in New York City on behalf of TUSHY, the chic bidet company focused on reducing toilet paper usage to conserve the environment.

And while his Glee days are behind him, Morrison’s passion remains singing and dancing — and his next upcoming project will highlight just that.

“I’m working on this project called Museum of Dance, and it’s this immersive theater experience where we do different decades of dance history,” he says. “You actually learn the history of dance while dancing through history. We are launching in D.C. this October, and it will be here in the spring of 2020.”


Click on the image for HQ. Ruven Afador for Vulture

It’s late afternoon, halfway through a 12-hour-long rehearsal day forFinding Neverland, the musical version of the 2004 Johnny Depp movie about the playwright J.M. Barrie — creator, 111 years ago, of Peter Pan and the Lost Boys, which made his career and also inspired the 1953 Disney animated movie, the 1960 stage-to-screen version starring Mary Martin, the peanut-butter brand, the bus company, the solidly mediocre NBC live event starring Allison Williams last year, and Michael Jackson’s ranch (not to mention the so-called syndrome, which describes commitment-phobic arrested development). At the moment, Matthew Morrison, who plays Barrie, is stage right in the 1,505-seat Lunt-Fontanne Theatre, practicing his dance spins.

The previews of Finding Neverland are timed almost exactly to the wrap of Morrison’s six-year run as the earnestly encouraging Ohio high-school singing-club coach Will Schuester on Fox’s once-game-changing sing-along dramedy Glee.Morrison has traded his Mr. Schue sweater-vest for an Edwardian suit to play this dancing Barrie, whom Depp played with dreamy charm and sincerity, loitering on a park bench and not at all creepily gazing at frolicking boys while writing in his notebook. As we all wait for the scene to start, Morrison will lie down, then sit up on his knees, hands in his lap, in a sort of yogic meditation pose. There’s a lot of waiting around between takes during rehearsals.

The real-life Barrie was, by all accounts, an unusual model for a Broadway leading man. His wife left him, saying they never consummated their marriage, and he practically stalked the cancer-stricken widow Sylvia Llewelyn Davies and her five “lost boys” after the death of their father in 1907. After her demise, in 1910, he became their guardian, paying for their educations at Eton and Oxford (one of the boys died young in World War I, and another later took his own life). But Finding Neverland is entertainment, not strict biography, and Morrison, 36, was hired for, among other attributes, his Glee-bred upright-sensitive-guy élan.

Barrie was irresistible in part because it’s simply a big lead role, of the sort he was on the path to in his 20s right out of NYU’s Tisch school. He had starring roles in Hairspray, The Light in the Piazza (for which he was a Tony nominee for Best Featured Actor in a Musical at 26), and South Pacific. He was well on his way to becoming the sort of leading man Broadway hadn’t seen in quite a while. And then Glee sent him back to high school for six years.

“I have this kind of underlying issue of unentitlement,” says Jane Lynch, his former Glee onscreen nemesis. “Matt is one of the most entitled people I’ve ever met, but in the most lovely way. He knows he’s got the goods, but he wears it lightly.” And Morrison is the sort of person who always seems like he has a plan (he tells me, “We’ve got our little timeline” about the possibility of him and his wife having kids, and says he makes enough money renting out the apartment he bought in Hell’s Kitchen in 2005, pre-Glee, that it “pretty much” pays the mortgage on his new condo).

“This is the perfect project for where Matthew is right now,” says the show’s director, Diane Paulus, who comes over and sits next to me for a few minutes during a break in the run-through of a number called “Stronger.” “He’s not the young ingenue hitting the scene anymore. He’s older and just got married, and this is the story of a man who is on his journey to becoming a father.”

Neverland is being produced by Harvey Weinstein, who has never been the lead producer on a Broadway show before and who got the idea that the decorous film could make a great musical partly because it was his daughters’ favorite of the films he’s made. The travails of getting this one to the stage have been much talked about in the theater world: Weinstein threw out the first version of it after a tepidly received 2012 run in the U.K. and hired Gary Barlow, of ’90s boy band Take That, and Eliot Kennedy, who produced the Spice Girls, among others, to give it a pop-music score. He recruited Paulus, who won a Tony for Pippin and runs the American Repertory Theater in Cambridge, Massachusetts, as well as Morrison, whose agent patched Weinstein through to him while he was on the set ofGlee. “You always take a call from Harvey Weinstein,” Morrison says. (He also signed on for the forthcoming Weinstein film Tulip Fever.)

It’s sometimes hard to remember now, but Glee was, especially in its first two seasons, a little pop-cultural revolution, updating a largely abandoned entertainment idiom of plot-propelling musical numbers for a post-MTV age, giving dancing-in-the-hallways heart to a show that could, for all its affirmational swagger, be jagged and immature. It kind of never really grew up. “The more I look back on the show, I think of it fondly, and I think about all the amazing changes it did for our world,” Morrison says, speaking of how it always let its characters express just who they were, or wanted to be (and not just because “it definitely afforded me the lifestyle that I’ve loved to have”). “I look at arts programs now, and I feel like theater is where the cool kids are, and it’s kind of changed. Theater is now accepted more than it used to be.” But, he says, “Glee had its heyday, and then it kind of just slowly started declining,” ending up on Friday nights, “which no one watches. It’s where shows go to die.” As he acknowledges: “There were just so many characters. There are a lot of people and a lot of story lines. It’s one of the biggest casts on television. They have the New Directions, the original New Directions, and then you have the new New Directions … The new ones didn’t really click with people, so they had to start bringing back in the old people.”

Lynch’s postmortem is similar. “It’s like emotional whiplash, my character,” she says. “I have that redemption scene with Matt: ‘I want to be your friend, I’m jealous of you.’ I had that scene six times.” In the end, it just became “confusing,” Morrison says. “They have so many things that we don’t even talk about. Sue having a child. We’re always like … I forget the baby’s name right now. Where’s Wanda, or whatever its name is?” Morrison also didn’t know the air date of the last episode off the top of his head.

That rehearsal day, it’s time for a costume rendition of “Stronger,” in which Barrie, finally confronted with his own imaginatively timid, notebook-scribbling, cosseted sense of self, has a kind of psychic break and conjures Captain Hook — his swashbuckling id — for the first time. (A smoke machine is deployed for this.) But first Hook, played by a lustrously bewigged and hook-handed Kelsey Grammer (that day in running shoes), needs his fake mustache. Apparently it will help him get into pirate mode.

The rehearsal for the number begins with Hook declaring that he’s a figment of Barrie’s “circus of the mind” (“I came from you …”), while his band of scalawags choreographically move a park bench around onstage and knock Morrison about until he — Barrie — is willing to accept the Hook-y side of himself. It ends, stirringly, with Barrie, now vestless, declaring: “I am stronger,” poised atop that bench that doubles in his imagination as a ship, sword aloft.

*This article appears in the March 23, 2015 issue of New York Magazine.

Source: Vulture



We’ve already started crying.

As we all know, Glee is coming to an end.

And just yesterday, the cast and crew gathered for their final day of shooting. Yes, their absolute last day of filming.

“We just wrapped about an hour ago,” Matthew Morrison exclusively told me late last night at the Weinstein Company’s pre-Oscar party at the Montage in Beverly Hills. “It was a tough day. I’m not going to cry now because I kind of got it all out, but it was a really tough day.”

Morrison sings the final song in the final scene of the series finale. I’m not going to spoil anything by telling you what song, but Morrison said, “It was a beautiful send-off. But it was tough. I was singing to all the kids and Amber Riley starts crying and I’m like, ‘Come on, don’t do this to me right now.’ And then Lea Michele starts crying and then Darren Criss and Chris Colfer.”

Morrison had to rush from the set to get to the Montage to perform a number from his upcoming coming Broadway return, Finding Neverland (more on that later).

“There were a lot of hugs and a lot of tears,” he said, adding, “It’s been an amazing almost seven years.”

It certainly has.

See you on Broadway, Mr. Morrison.

Watch the short video interview on E!Online.


Glee: “Child Star” episode stills!
POSTED ON Feb 11, 2015 BY Valentina INGallery

Newly released HQ stills from episode 6.09 of Glee, “Child Star”, airing on Friday, February 27, at 9/8c on FOX.

Matthew Morrison (L) and Sue (Jane Lynch, R) have a discussion in the “Child Star” episode of GLEE airing Friday, Feb. 27 (9:00-10:00 PM ET/PT on FOX. @2015 Fox Broadacasting Co. CR: Adam Rose/FOX

More pictures and HQ versions here: 6.09 – Child Star

Glee: “Wedding” episode still!
POSTED ON Feb 10, 2015 BY Valentina INGallery

Newly released HQ still from episode 6.08, “Wedding”, airing on February 20, 2015 at 9/8c on FOX.

The groomsmen celebrate Brittany and Santana in the “Wedding” episode of GLEE airing Friday, Feb. 20 (9:00-10:00 PM ET/PT) on FOX. Pictured L-R: Mark Salling, Kevin McHale, Harry Shum Jr., Matthew Morrison and Chord Overstreet. ©2015 Fox Broadcasting Co. CR: Adam Rose/FOX

View the UHQ picture here.

Glee: HQ episode stills!
POSTED ON Jan 26, 2015 BY Valentina INGallery

Newly released HQ stills from episode 6×07 of Glee, “Transitioning”, airing on Friday, February 13 at 8/7c on FOX.

Glee 6.07 – Transitioning

GLEE: Will (Matthew Morrison, L) and Unique (Alex Newell, R) perform in the “Transitioning” episode of GLEE airing Friday, Feb. 13 (9:00-10:00 PM ET/PT) on FOX. ©2015 Fox Broadcasting Co. CR: Michael Yarish/FOX

GLEE: Will (Matthew Morrison) visits McKinley High in the “Transitioning” episode of GLEE airing Friday, Feb. 13 (9:00-10:00 PM ET/PT) on FOX. ©2015 Fox Broadcasting Co. CR: Tyler Golden/FOX


GLEE: Will (Matthew Morrison, L) and Emma (Jayma Mays, R) take a stroll in the “Transitioning” episode of GLEE airing Friday, Feb. 13 (9:00-10:00 PM ET/PT) on FOX. ©2015 Fox Broadcasting Co. CR: Michael Yarish/FOX

Additional stills from the episode can be found in the gallery.


One HQ still from episode 6×05, “The Hurt Locker, Part Two”, airing next Friday, January 30, at 8/7c on FOX.

GLEE: Will (Matthew Morrison, C) and his team watch the New Directions perform in the “The Hurt Locker, Part Two” episode of GLEE airing Friday, Jan. 30 (9:00-10:00 PM ET/PT) on FOX. ©2014 Fox Broadcasting Co. CR: Jennifer Clasen/FOX

Matthew shares a picture from the set of Glee, where he’s shooting the show and rehearsing for his upcoming Broadway show, Finding Neverland!

Rehearsing lines for #FindingNeverland while playing Mr Shuester is confusing and exhausting! Ha

A photo posted by Matthew Morrison (@matty_motown) on

Glee Season 6 – new HQ promotional pictures!
POSTED ON Jan 07, 2015 BY Valentina INGallery

Newly released promotional pictures from the upcoming season 6 of Glee, premiering this Friday, January 9, at 8/7c on FOX.

Glee Season 6
HQ pictures here

Glee – first new season 6 episode stills!
POSTED ON Dec 27, 2014 BY Valentina INGallery

First HQ episode stills for the upcoming sixth and final season of Glee, premiering on January 9, 2015 at 8/7c on FOX.

6.01/6.02 – Loser Like Me/Homecoming

GLEE: Will (Matthew Morrison) in the first part of the special two-hour “Loser Like Me/Homecoming” Season Premiere episode of GLEE on Friday, Jan. 9 (8:00-10:00 PM ET/PT) on FOX. ©2014 Fox Broadcasting Co. CR: Tyler Golden/FOX


GLEE: Rachel (Lea Michele, L) seeks advice from Will (Matthew Morrison, R) in the first part of the special two-hour “Loser Like Me/Homecoming” Season Premiere episode of GLEE on Friday, Jan. 9 (8:00-10:00 PM ET/PT) on FOX. ©2014 Fox Broadcasting Co. CR: Tyler Golden/FOX


6.04 – The Hurt Locker, Part One


GLEE: Matthew Morrison as Will in “The Hurt Locker, Part One” episode of GLEE airing Friday, Jan. 23 (9:00-10:00 PM ET/PT) on FOX. ©2014 Fox Broadcasting Co. CR: Eddy Chen/FOX


UHQ pictures in the Gallery

Glee – Season 6 promotional picture!
POSTED ON Dec 17, 2014 BY Valentina INGallery

New UHQ promotional picture for the sixth and final season of Glee, premiering on January 9, 2015 at 8/7c on FOX.

GLEE: Matthew Morrison as Will on the sixth and final season of GLEE premiering with a special two-hour event Friday, Jan. 9 (8:00-10:00 PM ET/PT) on FOX. ©2014 Fox Broadcasting Co. CR: Tommy Garcia/FOX

Click here for the UHQ picture.

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American Horror Story: 1984
Release Date: September 18, 2019
Network: FX

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