Who’s The Greatest Dancer? We know a few people who are buzzing to find out…

Judges Matthew Morrison and Oti Mabuse, and presenter Jordan Banjo gives us their breakdown of some of the finalists and tell us what they enjoy most about being on the show.

Watch the interview here

 

The British public seem to love dancing. Or, at least, watching other people dance.

Whether it’s BBC One’s Strictly Come Dancing or ITV’s Dancing On Ice, there’s been no shortage of TV dance competitions in recent years.

So how does The Greatest Dancer – which is co-produced by Simon Cowell’s company Syco Entertainment – differ from the existing ones?

“It’s about people, it’s not about celebrity,” says Cheryl, the pop star who serves as one of the dance captains on the series.

“Both the shows you mention that are on prime time TV are brilliant, but they’re based around celebrities.

“This is normal people with real talent having an opportunity to shine, and I think that’s amazing.”

The Greatest Dancer sees members of the public perform in front of a giant mirror in a mock dance studio.

Unlike the Latin and ballroom confines of Strictly, contestants can perform whatever style of dance they like – and can do so alone, in duos or in groups.

The audience have voting keypads and if 75% or more enjoy a dance, the mirrors lift and the dance captains (judges, in other words) are revealed.

The trio – Cheryl, Strictly star Oti Mabuse and Glee actor Matthew Morrison – then give their critiques.

The eventual winners will take home £50,000 as well as the chance to perform on the next series of Strictly Come Dancing.

As a format, it has elements of both Britain’s Got Talent and The Voice – two other shows in the crowded TV talent marketplace.

Is this show different enough to stand out?

“Personally, I don’t think viewers are crying out for yet another competitive talent show,” Frances Taylor of The Radio Times tells BBC News.

“Dancing is a well-worn path that has been trampled by many a TV commissioner over the years.

The trio – Cheryl, Strictly star Oti Mabuse and Glee actor Matthew Morrison – then give their critiques.

The eventual winners will take home £50,000 as well as the chance to perform on the next series of Strictly Come Dancing.

As a format, it has elements of both Britain’s Got Talent and The Voice – two other shows in the crowded TV talent marketplace.

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Matthew Morrison has spoken about the tragic death of Glee co-stars Cory Monteith and Mark Salling. The actor and dancer, who will star as a dance captain on BBC show The Greatest Dancer, said their deaths were a warning about the pitfalls of the entertainment industry. The 40-year-old actor said: ‘Glee was an amazing time. The cast all see each other now and then and keep in touch. ‘I miss my friends, especially Cory and Mark. They were two incredible guys, they were on their own paths and what happened hasn’t tainted the memories of Glee, but it’s taught me about the business and the nature of fame.’

[…]

Matthew, who played teacher Will Schuester in the musical TV series, also spoke about the friendships he has built over the years, telling Closer magazine that it made him very happy when the show’s co-creator Brad Falchuk married Gwyneth Paltrow, who played substitute teacher Holly Holliday in several episodes. He said: ‘Working with Gwyneth was amazing – I was always such a fan of hers, so working with her was incredible. ‘She’s such a close friend of mine, and it’s awesome because she’s now married to one of my great friends, Brad. They’re both wonderful people.’

 

Metro UK

Matthew Morrison couldn’t be more “Glee”-ful about launching Bay Area Cabaret’s 15th Anniversary Season on Sept. 30 at the world-famous Venetian Room at the Fairmont Hotel in San Francisco. ”I love places that have so much history,” says the Tony, Emmy and Golden Globe nominee. Among the celebrated singers who’ve sung there: Nat King Cole, Ella Fitzgerald, Marlene Dietrich, Peggy Lee and Tina Turner. And in 1961, Tony Bennett first performed ”I Left My Heart in San Francisco” there, which is especially apt since the Fairmont sits high upon Nob Hill, “where little cable cars climb halfway to the stars.”

Morrison will be making his San Francisco cabaret debut with his spectacular show, “Song and Dance Man.” He will croon showtunes by the score and uphold the highest standards of the American songbook. Footloose and fun, he’ll dance about as if Gene Kelly were in his genes. In ”Hairspray,” he belted “You Can’t Stop the Beat.” But in concert, you can’t stop his feet.

Marilyn Levinson, the founding executive producer of Bay Area Cabaret, says: “I chose Matthew to open our 15th Anniversary Season because he embodies the best of what Bay Area Cabaret looks for in an artist: He is a consummate, triple-threat performer. I first saw him in “South Pacific” at Lincoln Center, and his dancing amazed me when I saw his solo show in New York. He also has a genuine love of Broadway and the standards, and he knows how to play to every member of his audience.”

Morrison is best-known as “Mr. Schue,” the compassionate teacher who “carefully taught” his “Glee” club of kids about music, life and love. But we chatted with him about what he has learned from being a performer, a parent and an entrepreneur. He also reflected on “Finding Neverland” and says his producer, Harvey Weinstein, “turned off … the Broadway community” with his bullying tactics. And he gave us exclusive news about his BBC talent show and his grand plans for a Museum of Dance.


Congrats, Matt, on kicking off the 15th season of Bay Area Cabaret. Have you ever played San Francisco?

The only national tour I ever did was “Footloose” [in 1999], and we played the Curran. But this will be my San Francisco cabaret debut. I can’t believe it’s taken so long. I’m a Northern California boy. I grew up in Chico, two hours outside of San Francisco. I remember the open spaces, the greenery and walking through creeks. It’s where I got my love of camping and the outdoors.

Meantime, you’ll get to see the indoors of the Venetian Room. It’s a stunning ballroom with a beautiful, 22-foot-high ceiling.

A couple days ago, my dad said, ”I’ve sung at the Venetian Room.” I said, ”What?” My dad does not sing. At all. But once he took a tour of the Fairmont Hotel, and they handed everyone lyrics to “I Left My Heart in San Francisco.” So my dad says he sang there before I did. (Laughs.) Tony Bennett has a lot of history in that room, and he does the standards better than anyone. I can’t wait to perform at the Venetian and feel the voices of the past. We’ll be doing a fun show with a 5-piece combo, and Brad Ellis will be my musical director. Brad and I have such a rich history that originated on the set of “Glee.” He is a mentor and a friend.

Your show is called “Song and Dance Man,” and you’re always on the move. You don’t just stand at the mike and sing. You swivel and swerve all over. To quote a “Finding Neverland” lyric, sometimes “your feet don’t touch the ground.”

Dance has always been so special and unique to what I do. Some of it’s choreographed. Some of it’s just me being inspired by the music. I can’t help it. I’m a mover. It’s just who I am. And I love Broadway, so I’ll be singing songs I’ve done there, from ”Hairspray,” ”The Light in the Piazza” and “South Pacific.” I’ve always felt I was born in the wrong era. I love the standards.

Your second CD, “Where It All Began,” is full of standards, but you give them your own spin. Like how you jazz up “It Don’t Mean a Thing” or “On the Street Where You Live.” And lately, you’ve found a new way to do a classic from “Oliver!”

Yeah, as a straight guy, I never felt a connection to “As Long as He Needs Me.” But last October, I had a son [Revel]. Now, I can do this song and it’s about my kid. It really touched me. That’s the beauty of standards; you can bring a new meaning to them.

As a longtime straight ally, you’ve also brought a new meaning to “We Kiss in a Shadow”: as a salute to gay marriage.

I really want to bring that to San Francisco, too. I strip it down, with no microphone. Just a ukulele. It has so much meaning.

As we’re chatting, the Senate is holding Supreme Court confirmation hearings. Brett Kavanaugh won’t say if he believes in marriage equality or if Obergefell is settled law. Do you have any concerns that marriage equality might be reversed?

I think we all have concerns about this [Trump] administration. But we’ve come so far, and I can’t imagine it being reversed. The LGBTQ community is so active and political. If it were reversed, it would be the next modern-day civil war.

No doubt you’ll do a couple of the lovely songs from “Finding Neverland” (by Gary Barlow and Eliot Kennedy). You got to play J.M. Barrie in a show about how he was inspired to write “Peter Pan.” And you won the BroadwayWorld Award for Best Actor in a Musical and received Drama Desk and Drama League nominations. What did “Finding Neverland” mean to you?

I always knew I wanted to be a father someday, and that show really informed me about the kind of father I wanted to be: someone who never loses sight of that child inside himself. Over the course of my life, I really did lose that. Luckily, I’m in a career where I get to play constantly. But the work I was taking was becoming just that: work. The fun and the play wasn’t in it anymore. But “Finding Neverland” opened up my imagination and my thoughts on fatherhood in a more serious way.

“Finding Neverland” started off strongly, grossing over $1 million a week from its first previews in March 2015 and through that August. I wished it won a ton of Tonys, but the reviews were rough and the nominators snubbed it. You tweeted: “Despite [the lack of] nominations, I’m so proud to be in a show that takes audiences on a beautiful journey.” What happened?

I guess I can talk about it now, but a lot of it was [due to] Harvey Weinstein. It was kind of a shock. The way he acted [as a producer] turned off a lot of people in the Broadway community. He tried to bully his way into getting nominations, and that [rubbed] people the wrong way. But the show had a nice healthy run; it was beautifully done, and Diane Paulus did a great job.

Weinstein always said he was so proud of the cast. Before “Neverland” got the hook in August 2016, he even announced that he wanted to make a movie of it, starring you and Kelsey Grammer, and bring in Helen Mirren. Now, that’s unlikely. When the allegations of Weinstein sexually harassing various women came out last October, what did you think? Was it disbelief?

It wasn’t total disbelief. I’ve heard of a lot of stories in my time [about sexual harassment in showbiz], but it was never to that level or that extreme. Honestly, there were two sides of Harvey: the side that I never saw, and the other side where he was incredibly gracious to me and my family. He really took care of us for the whole run of “Finding Neverland.”

Your concerts often include a song from “Glee.” You must be thrilled with how well your “students” are doing. Amber Riley won the Olivier for “Dreamgirls” in London. Harry Shum Jr. is in “Shadowhunters” and “Crazy Rich Asians.” And this Monday, Darren Criss is up for an Emmy for Ryan Murphy’s “The Assassination of Gianni Versace.” Did you get to see him in that?

Absolutely. I was talking to Darren yesterday. He’s just so talented. I love everything he does or touches. He’s so smart. That was such a great turn to go from Blaine [in “Glee”] to Cunanan [in “Versace”]. I’m rooting for him at the Emmys.

Speaking of TV, tell me about “The Greatest Dancer,” the new show you’re doing with Simon Cowell.

It’s thrilling and so fresh. It’s Simon’s first talent show for the BBC. I’m a dance captain, along with Cheryl Tweedy and Oti Mabuse. The dancers walk into an audition room with mirrors before them. And there’s an audience of 3,000 behind the mirrors, but the dancers don’t know it. If 75% of the audience, which has controls, lights up for them, the dancers go on to the next round. I don’t vote. I’m just there to give positive, constructive criticism and inspire them. It’ll start airing in January in the U.K.

You’re always juggling so many projects. Are you still hoping to revive “City of Angels” for Broadway?

The rights are still held up in London, but I’m doing an upcoming sitzprobe with Ted Sperling [from Lincoln Center]. He’s starting a new program at NYU for future pit musicians. One day, we’ll go through the score of “City of Angels,” and I’ll play Stone. I love that role. Meantime, we’re still trying to lock in a Stine. Possibly Patrick Wilson. Possibly Leslie Odom, Jr.

One of your other dream roles is Booth in “Assassins.” So what was it like to be in a workshop of Stephen Sondheim’s new musical based on Luis Bunuel’s “The Exterminating Angel” and “The Discreet Charm of the Bourgeousie“?

Exciting. It was very much in the beginning stages [in November 2016]. But I will say that the music was classic Sondheim, which was so exciting to sing. He still possesses that singular brilliance to tie together a haunting melody with provocative lyrics.

You’ve always performed a lot for charity. In 2005, we produced the first “Leading Men” concert for Broadway Cares at Joe’s Pub. You were the first guy we asked and the first guy to accept. John Tartaglia hosted, and Seth Rudetsky music-directed. It was a showcase for young Broadway pros, like you, and cabaret stars, like Tom Andersen. Do you remember any of that?

Of course, I do. I even remember what I was wearing that night: a red shirt with black stripes. And backstage, I had a big bag of peanut M&Ms. I sang a song I loved [“One Day More” by Georgia Stitt]. I had such a good time with the guys you brought together for that, and just look at their careers: Cheyenne Jackson, Barrett Foa, Christopher Sieber, Chad Kimball …

Besides being a performer, you’re an entrepreneur. One of your idols, Paul Newman, inspired you to co-found (with Zach McDuffie) the SHERPAPA Supply Company, which sells “high-quality gifts and gear for the modern family.” As you’ve written at Sherpapa.com, your company isn’t simply about selling T-shirts, caps and bags: ”It’s about inspiring men to handle responsibility, set a great example, and to ultimately keep their cool.” And that’s not your only new project, is it?

No. I’m creating a Museum of Dance in New York City. It’ll tell the history of dance, and it’ll be a completely immersive theater experience. For example, as you walk through the 1920s section, we’ll have dancers who perform and can teach you the Charleston. Some of our advisory board members include Chita Rivera and Tommy Tune. We hope to open in early 2020 in Long Island City and create other versions in Tokyo, London and Paris. I’d love to bring culture together through dance. And I want to turn that area in Long Island City into a new Times Square. Broadway has become so elite and too expensive for families.

Just to bring things full-circle, your Bay Area Cabaret show is on Sept. 30. But the next day, Oct. 1, kicks off a pretty historic month for you. Oct. 12 is Revel’s first birthday. And Oct. 30, you hit the big 4-0. How do you feel about that?

I’m going into this next decade with so much excitement and hope. And new projects and a family. There’s so much to be thankful for. It’s also Renee’s birthday in October and our wedding anniversary. It feels like the beginning of a new Matthew Morrison.

That might’ve begun as soon as you met Renee. In fact, how did you meet this gorgeous Hawaiian actress and model?

Eight years ago, I was at a Grammy party. It was literally “some enchanted evening,” and we saw each other “across a crowded room.” But we didn’t meet until I was leaving the party. I heard this girl speaking Pidgin, which is Hawaiian slang. I had spent a lot of time in Hawaii, and my first gig was singing backup for Don Ho. Then, I saw Renee. I thought “F*ck it” and went up to her and said: “How is it, Sistah?” She looked at this white boy speaking Pidgin and just laughed. And the rest is history.


Matthew Morrison performs Sept. 30 at 7 p.m. at the Venetian Room at the Fairmont Hotel, 450 Mason St., San Francisco. Opening-night tickets, $125. The rest of Bay Area Cabaret’s 2018-19 season features: Gavin Creel (Oct. 14); Kate Baldwin (Nov. 4); Christine Andreas (Dec. 2); Carmen Cusack and Susan Werner (Jan. 20); John Pizzarelli and Jessica Molaskey (March 3); Catherine Russell (March 24), and LaChanze (May 19). For more info, call (415) 927-4636 or visit bayareacabaret.org.

For 26 years Elton John has been synonymous with Oscar night as his annual Oscar-viewing party and fundraiser for his Elton John AIDS Foundation has become a staple of the awards. The foundation’s chairman and John’s husband, David Furnish, is still amazed the couple get to invite their friends and favorite musicians to raise funds to fight AIDS.

“I always say to Elton when we leave and walk out the front door of our house to go and do the event, ‘We should be break dancing down the driveway,'” Furnish says. “The fact that we’re still able to do this after 26 years and get the support that we get. We’re already several million dollars inthe bank before we’ve done the auction, before we’ve done the pledging, just the level of support we get is unbelievable.”

That begs an important question: who is the better break dancer? “Me, definitely. When Arlene Phillips directed Elton in his ‘I’m Still Standing’ video she said he was the worst dancer with no sense of rhythm she’d ever worked with in her career,” Furnish says cracking up. “That’s not me, that’s Arlene Phillips who said that.”

Furnish promised he’d be break dancing in the pit last night when young rockers Greta Van Fleet took the stage following the Oscar telecast/dinner and a silent auction. Actor/musician Matthew Morrison also promised to be break dancing.

“I’m always in the mosh pit, I’ll be break dancing in the mosh pit,” he joked.

Morrison is a veteran of the party, having attended for more than a decade. He comes out because of his friendship with John and the cause.

“I’ve been coming to this event for over a decade now. They’re not gonna stop anytime soon,” Morrison said. “This is a force. People don’t talk about HIV and AIDS the way they used to. It was an epidemic, it’s got a little bit of a handle, but it’s still an epidemic out there. But I think if it wasn’t for the Elton John AIDS Foundation we would be talking about it in a much different way because they have done so much, not just for the actual disease, but for the stigma and the kind of shame that is associated with the disease. It’s amazing the outreach that they have and the work that they do behind the scenes.”

[…]

When throwing an Oscar party and fund raiser it has to both share the message and be a hell of a party. It is as Morrison’s most memorable moment attests to.

“I can’t believe I’m saying this, but I will because it was very memorable, Elton John often wears those studded shoes, blinged out, I remember licking his shoe one year,” Morrison says. “Yeah, had a few drinks and he held it up. That was my most memorable moment.”

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Matthew Morrison’s 5-month-old son Revel will never have that problem in school where the teacher calls out a name and five different kids look up. We’re looking at you, David and Michael.

Morrison told Us Weekly on Wednesday, March 1, that he and his wife, Renee Puente, spent a long time deliberating over monikers for their first born before deciding on Revel — “Rev” for short. 

“My wife’s name is Renee, and I’m Matthew, obviously,” Morrison told Us at the Annual Elton John AIDS Foundation Academy Awards viewing party press preview day in West Hollywood. “We wanted our boy to have an R name . . . and we just kind of came with different R names.”

The couple kicked around “Ryder” and “Ryner” until one day it just came to them. 

“We were just having a conversation and talking about how we want to revel in our child, just revel in love,” explained the 39-year-old dad. “It’s not really a typical name, but it’s not so weird.”

The Glee alum added: “The thing we didn’t really anticipate was, whenever I say his name, some people are like, ‘Rebel?’ That’s the only hard thing.”

hough Morrison, who has been involved with the Elton John AIDS foundation for more than a decade, was thrilled to be at the event, he admitted it was hard to be away from his infant. 

“I hate leaving my kid with anyone. We’d rather have him around,” he said. “For things like this, it’s a special night. We’re hermits. We never go out!”

But Morrison and Puente aren’t having any trouble keeping their romance alive. “We’ll put him to bed a little early,” he told Us, “Then we’ll just go downstairs and cook an amazing meal together.”

US Magazine

Matthew Morrison and wife Renee Puente were on a date night. But all the Glee star wanted to talk to Us Weekly about was their infant son, [Revel] James Mak[a]i. 

“He’s intensified the love I have for life,” the Glee star, 39, told Us at Todd Snyder’s fashion show – which was presented by Cooper & Thief Cellarmasters — on Monday, February 5. “The baby is three and a half months and he’s finally noticing us and realizing how important we are to him and his survival.”

Indeed, when the actor and Renee went out one eveningthey got a call from the nanny. “She’s like, ‘OK, he’s fine, but you need to get home!’” Puente recalled to Us. When she entered James’ nursery, it was clear he was upset that Mom and Dad hadn’t included him in their plans. “He waslikeangry, making out with my face!” she laughed. “I would turn around and he would pull my hair. It was the most glorious unconditional love.”

Puente who joked that she could have 20 kids, added that doesn’t regret waiting a few years to expand their family. “It’s, like, thank God we did everything we could before had babies,” she told Us. “We had every last conversation. We had every last travel and adventure together and we were ready for this new element to come and just sweep us off our feet feet. And he did. He did.”

Though the couple are still getting to know their nugget, it appears he takes after Morrison, who has appeared in three Broadway musicalsincluding Hairspray and Footloose. “We sing to him all the time,” the actor told Us. “He lights up.”

US Magazine

Matthew Morrison found his passion at a young age. The lightbulb in his soul turned on when he was ten-years old. It happened when his parents placed him into a children’s theater production of a show called The Herdmans go to Camp. And that was it. “I grew up as an only child and often felt lonely. But I was always creative. My imagination was always going and I made up new worlds,” shares the Emmy-, Golden Globe- and Tony-nominated Glee star and Broadway veteran. “Doing the show was the first time in my life where I got to use what was in my imagination and put it out into the world. It was focused into something.”

This monster-sized talent has been acting, dancing and singing ever since. In fact, this month Morrison is performing live at the glamorous 147-seat supper club Feinstein’s/54 Below. The shows will include standards and beloved songs from his past productions including Hairspray, The Light In The Piazza, South Pacific, Finding Neverland and Glee. Plus, the audience will have some surprises. “We have a special guest star every single night,” says Morrison. “I have a great list of people coming to sing a song with me.”

The concerts mark one of the first times that Morrison will be stepping onstage as a father. “Life is so amazing, and I’m very happy,” offers the proud papa. He and his wife Renee welcomed their son Revel this past October. “I feel a new energy, a new passion, a new light. All I want to do is share what I’m feeling now,” he reveals. “I’m excited to have the energy that is flowing through me flow through the audience. I hope they will feel what I’m feeling.”

What is the joy of doing your show at Feinstein’s/54 Below? 

I love performing there. I am such a song and dance man. My shows usually incorporate a lot of dance. However, it’s kind of hard to dance on that small stage. But that forces me to change up my show a little and give in to the intimacy. I can really connect with the audience in less of a showman way. It’s really about connection. That space is so beautiful. I love the history of the room. [It was once the basement of the disco Studio 54.] Also, I love being in touch with the Broadway community, which is my family. It’s always good to go back.

What has becoming a dad been like for you?

There are few times in your life where you get to hit that reset button. It is so great to go on this new journey and be a lot less selfish. It’s not about me anymore. It’s about my son.

Does Revel sing?
He coos a lot. I wouldn’t call it singing. We’re not quite at that stage. We’re just getting to the stage when he’ll look at us and actually smile. That is everything!

What do you sing to him?

We sing a lot to him. We sing the lullaby from Finding Neverland [“Sylvia’s Lullaby”] all the time. Every morning as soon as he wakes up my wife and I sing “Good morning, good morning. You slept the whole night through.” That is our wake up song.

Would you like to do another Broadway show?

It is always something that I’m thinking about and is on my plate. I have a great team of people who are on the search for something. I also have my sights set on a specific show that I want to revive. Unfortunately, I can’t expel what that show is. It is something that I have been wanting to do for a long time. The pieces are starting to fall together.

And I love being a part of new works. Growing up and listening to all these Broadway cast albums, it’s so special to be a part of an original Broadway cast. There is something wonderful about being the first one to create a show and put your stamp on it. You’re the person they always compare the character to.

During your concert you sing songs that are beloved classics. How do you choose them? 

Those songs connect with me. There is so much music out today where you can tell that the story was secondary. Nowadays, it’s all about coming up with a cool beat. But with classic songs, they’re telling a story with music and lyrics. Sometimes those stories are very simple. I love that. It’s all about the performer getting up there and putting meaning behind these simple stories. The combination of a performer and these beautiful songs can take a simple song and make it deep, reflective and stunning.

What inspired you  and photographer Zach McDuffie to launch your gifts for dads and adventure gear company Sherpapa?

It’s unlike anything I have ever done. As an actor and singer, I am always worried about my next job and how it’s not in my hands. It is basically up to producers or the director to give me a job. Fortunately, I’m in a position where I can create a lot of my own stuff.  Still, at the end of the day, I’m an actor for hire.

This business has forced me to use a completely different part of my brain. I think of an idea for a product and how to make it. Our big first prototype was a universal diaper bag. For men our only option was to use our wives’ diaper bags, which often has a big pink elephant on it. Otherwise, a backpack is not really functional.

We created a really cool gear bag that is for all seasons of fatherhood. In the baby market, I discovered that everything you buy is disposable. You use something for a year and then it is garage sale fodder. We are trying to be environmentally conscious and come up with products that will be heirloom quality. These are diaper bags. But eventually I want to use it to hold my tools to fix my son’s first apartment. And one day I will pass it down to him.

What do you miss about doing Glee

Glee was such an important part of my life, and so special. I think I took it for granted when it was going on because it all happened so fast. We were on this crazy rollercoaster ride. We were a huge, successful hit right away. I didn’t really have a chance to process things.

I’m proud that we really tackled some great storylines. I believe we helped a lot of people figure out things like being gay in high school or having a teenage pregnancy or being bullied. A family could watch this television show together, and at the end of the episode have a great conversation about what they just watched. Hopefully, we changed some lives along the way.

Morrison will perform at Feinstein’s/54 Below January 6 to 13.

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Matthew Morrison: Song and Dance Man
POSTED ON Jan 05, 2018 BY Valentina INGallery,Interview

Matthew Morrison is tapping outside by the pool. Under a canopy of palm trees with the Los Angeles sun beaming down, he’s grooving to the music in his mind. Watching him dance can transport you to a different era.

Set against the backdrop of the Hollywood Hills, the scene looks plucked from the Tinseltown of yore. The classic song-and-dance man moves to the beat of his own drum with a sense of unbridled joy. Has Gene Kelly come back to life? Has the departed soul of Fred Astaire been reincarnated?

“I am someone who feels like I was born in the wrong era,” Morrison says. “I have a connection with that music and that time and just how simple it was. Today, music is all about coming up with a cool beat, whereas back then [it was] music and lyrics that tell a story.”

Our photo shoot is at the Garcia House, an architectural icon designed by John Lautner that is famous as the house that rolls down the hill in Lethal Weapon 2. Celebrity tour buses drive by throughout the day, and when the echo of a tour guide’s microphone reverberates through the house, Morrison jokingly waves and smiles, though no fan can see him.

After the shoot, back in his own clothing (a cream-colored sweater, faded jeans, and white Converse sneakers), Morrison sits in an armchair in the book-lined study. The sun is setting, and pink and orange hues filter through the wide windows overlooking the hills. If he’s exhausted from the day, he doesn’t show it.

Morrison is a triple threat — singer, dancer, actor — an increasing rarity in an industry obsessed with quick hits and Instagram followings. After cutting his teeth on Broadway starring in shows like Hairspray and South Pacific, Morrison catapulted into the spotlight on the Fox musical television series Glee as Will Schuester, the loveable Spanish teacher with big dreams.

Right now, he’s focused on his latest role: father. His son, Revel James Makai Morrison, was born on Oct. 12, 2017. Revel and Morrison’s wife, Renee, joined him at our photo shoot. In between setups, Morrison would lovingly dote on his wife and son, never losing the quintessential new-dad expression of curiosity, concern, and adoration. As an only child, Morrison didn’t grow up around other children, so caring for and bonding with Revel has been a transformative experience.

“Seeing him develop that awareness of what it is to be around a child, and to see that beautiful innocence, it’s so powerful,” Renee says. “I’ve never met anybody who is so concerned and just passionate about being there for his family. He’s just such an incredible human. I feel so fortunate to be his partner.”

Renee says Morrison has taken a hands-on role in parenting, changing most of the diapers when he’s home. She says he constantly worries whether Revel is breathing.

“It’s scary. We’re really responsible for this human being,” Morrison says. “All the things you hear about going into parenting are true. I’ve never known love like this.”

Morrison’s smile is disarming, and he has an easy confidence that makes you wonder if he’s always performing. When he’s passionate about his subject — his wife, his son, Broadway — he doesn’t miss a beat, and his voice lures you in, leaving you hanging on every word as if it were a musical note. Every fidget becomes a little dance.

According to his mentor, Ralph Opacic, he has had star quality from a young age.

“He was that likable, charismatic kid,” says Opacic, who is the founder and executive director of the Orange County School of the Arts in Los Alamitos, Calif., where Morrison graduated from high school. “He fit in with the artistic musical-theater kids at OCSA. He fit in with the athletes on the soccer field. He fit in with the student-leadership kids.”

After six seasons on Glee in a part Morrison says was tailor-made for him and his talents, he’s eager to dive into unexpected roles, departing from the good-guy archetype. “I feel like everyone kind of thinks of me as Mr. Schuester, that kind of happy-go-lucky nice guy, which I am, but I’m an actor,” he says. “I have been doing this my whole life. I feel like I have a lot of depth and different things to offer.”

He’s eager to do it all: film (he appeared in the Alicia Vikander vehicle Tulip Fever); television (he has a recurring role on Grey’s Anatomy as Dr. Jo Wilson’s abusive ex-husband); and the stage (he led a benefit concert of Damn Yankees alongside Maggie Gyllenhaal and Whoopi Goldberg in December.)

Early 2018 is busy for Morrison: He’s performing six nights at Feinstein’s/54 Below in New York, Jan. 7-13. “It’s one of the sexiest rooms in New York,” he says. “I love how intimate it is; I love that I can just talk to people.”

As far as what he plans to perform, Morrison is still figuring it out and wants to let his instincts lead him in the moment. “I’m very free-flowing and I like to ad lib onstage, so I just kind of go wherever I go,” he says.

In February, he’ll travel to Japan, where he’s headlining six shows in Tokyo and Osaka, and then he’ll return to China to complete filming for the sci-fi movie Crazy Alien, which will be released in 2019.

Theater will always be home for Morrison. “I can’t not be on the stage,” he says with a sigh. “You have that bond with those people, because you are literally looking out for each other, and if something goes wrong you have to count on these people — you can’t just call ‘cut.’”

He’d love to play Billy Bigelow in Carousel, John Wilkes Booth in Assassins, and put on a production of City of Angels. “And I want to do it with Leslie Odom Jr.,” he says.

Morrison follows his passions wherever they take him, from stage to screen and back again. His latest venture is a startup, Sherpapa Supply Co., a lifestyle brand for family adventures. He cofounded the company, which sells durable gear specifically for dads, with his friend Zach McDuffie.

“Everything you buy as a parent is garage-sale fodder within the first year,” he explains. “We believe in durability over the disposable. Our bag is for all seasons of fatherhood, from the go-bag to the delivery room, to the diaper bag, to carrying food and snacks for your kid, to putting your tools in it to fix your daughter’s first apartment.”

Morrison wants to limit how often he is on the road touring so he can be home with his family, but he says becoming a father won’t change how he selects projects.

“It’s changed my perspective on work,” Morrison says. “I’m in a business where it’s very selfish. You’re always thinking about yourself, and I just don’t feel that way anymore. It’s not about you anymore; it’s about your family unit. For me, that’s the most important thing in my life right now.”

Styled by Drew Jessup
Hair and makeup by Diana Schmidtke
Shot at The Garcia House

The X Magazine

Pictures by Nathan Johnson

All HQ pictures from the photoshoot can be found in the gallery.

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